That he will always be brought down by his conceit and vanity. The Sun The counterpoint of a huge tragedy with a smaller domestic one is a central conceit of the story. Times, Sunday Times The central conceit is that a local man has no memory of who he is or the town. Times, Sunday Times It's a conceit rather than a concept.
Times, Sunday Times But it was the film 's thematic conceit that caused most offence. Times, Sunday Times We were classically English in terms of arrogance and conceit.
Times, Sunday Times To imagine they do is merely a self-pitying form of arrogance and conceit. Times, Sunday Times In the context of raucous comedy , the insanity conceit works well. The Times Literary Supplement To do so would be to puncture the book's central conceit. The Times Literary Supplement The show's central conceit is delightful.
Times, Sunday Times A grisly period detective story with a lighthearted literary conceit. Times, Sunday Times But Straight is both underwritten and undermined by a whopping great central conceit that needs your goodwill to sustain it.
Times, Sunday Times Anyone who has lived for long in the centre of our crowded cities will recognise the central conceit of Interiors. Times, Sunday Times Yet the other problem of the central conceit is that it very often leads him to tell stories that frankly aren't that interesting.
Times, Sunday Times A mouse is a stylistic invention , a literary conceit. Times, Sunday Times As for conceit, what man will do any good who is not conceited? Nobody holds a good opinion of a man who has a low opinion of himself Anthony Trollope Orley Farm. Translate your text for free. Nearby words of 'conceit'. Download this entire guide PDF. Conceit Definition What is a conceit? Some additional key details about conceits: In classical poetry, there are two categories of conceit: Petrarchan conceits and metaphysical conceits.
Petrarchan conceits are a fixture of the Petrarchan sonnet , while metaphysical conceits can be found in a school of poetry known as metaphysical poetry. Because of overuse and a lack of innovation, conceits over time gained a slightly negative connotation of being forced or strained. However, that doesn't mean all conceits are strained. Some are simply fanciful or elaborate, and are "pulled off" by the writer quite well. The word "conceit" is also sometimes used to refer to the central premise or guiding concept of a film, novel, or other artwork.
This different usage, which comes from the fact that "conceit" comes from the Latin word meaning "concept," is not covered in this entry. Conceit Pronunciation Here's how to pronounce conceit: A metaphor that unfolds across multiple lines or paragraphs in a text, making use of multiple interrelated metaphors within an overarching, broader metaphor.
Conceit Broader, modern meaning: The same thing as en extended metaphor. More technical, traditional meaning: A particularly fanciful or elaborate extended metaphor in which the comparison that the metaphor is making is far-fetched, or even so far-fetched as to be strained. The History of Conceit Conceits first came to prominence in 14th and 15th century Renaissance literature, when poets began using them in Petrarchan sonnets line love poems. Metaphysical Conceit When scholars discuss the more technical definition of conceits, they usually break up conceits into two main types: Petrarchan conceits are named after Petrarch, the 14th century Italian renaissance poet who is credited with the invention of the sonnet.
Conceits were an important feature of the Petrarchan sonnet—and became even more so when the form was adopted by poets of the English Renaissance in the late 15th century In Petrarchan conceits which are common in, but not limited to, sonnets , poets use fanciful metaphors to praise their lovers. For instance, a common conceit during the Renaissance was to compare someone's eyes to the sun. Petrarchan conceits are often, though certainly not always, extended metaphors that govern the structure of the entire poem, but they may also be a series of different metaphors that constitute the bulk of a poem.
By contrast, a poem that contains only a single, short metaphor in which someone's eyes are compared to the sun would probably not be called a conceit. By the start of the seventeenth century, Petrarchan conceits were seen by many writers and critics alike as having become a stale poetic convention in which trite and melodramatic comparisons were drawn. Shakespeare even wrote a famous sonnet Sonnet poking fun at the Petrarchan conceit. Metaphysical conceits , like those in the poems of John Donne, make long and unlikely comparisons between two things, for instance like comparing a flea to the physical union of two lovers.
The metaphor might feel strained because the two things being compared are in fact very different, or because it's extended over such a long stretch of text that the poet exhausts the metaphor.
Metaphysical conceits are known to make sense intellectually rather than intuitively. So while "love is like a butterfly" makes a certain amount of intuitive sense, John Donne's famous conceit in which he compares physical intimacy to a flea really only makes sense when you read the poem's complex argumentation. For that reason, metaphysical conceits often came under criticism from their 17th century contemporaries like Samuel Johnson, who wrote of the metaphysical conceit that it often gave the impression that two things were being "yoked by violence together.
Conceit Examples The examples below are of Petrarchan conceits and metaphysical conceits. Example of Conceit in Sidney's "Song from Arcadia" Sir Philip Sidney uses the familiar figurative language of "giving someone your heart" as the basis of the conceit of this poem.
Example of Conceit Shakespeare's "Sonnet " By the 17th century, poetic conceits were seen as being so over-the-top that Shakespeare even wrote a sonnet that pointedly mocked the convention of using overblown or fanciful conceits.
Example of Conceit in Donne's "The Flea" In this poem, John Donne speaks at length to his beloved about a flea, first pointing out that the flea has sucked both their blood, and then arguing that, therefore, there is no excuse for her to be coy about physical intimacy—since their very blood has already been mingled inside the flea.
Example of Conceit in Donne's "A Valediction: Forbidding Mourning" The conceit of this poem by John Donne is that two lovers are described as the two points of a compass. Example of Conceit in Dickinson's "Because I could not stop for death" The conceit in this poem by Emily Dickinson is neither strained nor absurd, Petrarchan nor metaphysical.
Writers use conceits for many of the same reasons they use metaphors and extended metaphors: To explain or describe an abstract concept in vivid, memorable, and unique terms. To help the reader make a new, insightful connection between two different entities that might not have seemed related. To help communicate personal or imaginary experiences in terms to which readers can relate.
To show off a bit. Conceits—particularly metaphysical conceits—gave poets a chance to show off their smarts by comparing two very unlike things. To lead the reader to surprising and important discoveries by connecting different spheres of experience and language.
The figurative meaning that metaphors create can help a reader to see the world or a concept in a new way. A general overview of conceits and the different types. The Dictionary Definition of Conceit: As you can see, there are many definitions of conceit. This entry focuses solely on the fifth definition listed in this dictionary. The Encyclopedia Brittanica entry on Metaphysical Poets: An overview of the metaphysical poetry movement, with some helpful information on how they used conceits.
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Conceit Definition Conceit is a figure of speech in which two vastly different objects are likened together with the help of similes or metaphors. Conceit develops a comparison which is exceedingly unlikely but is, nonetheless, intellectually imaginative.
As a literary device, a conceit uses an extended metaphor that compares two very dissimilar things. A conceit is often elaborate and controls a large section of a poem or the entire poem. A conceit is often elaborate and controls a large section of a poem or the entire poem.
A conceit is a kind of metaphor that compares two very unlike things in a surprising and clever way. Often, conceits are extended metaphors that dominate an entire passage or poem. Often, conceits are extended metaphors that dominate an entire passage or poem. Conceit A conceit is a comparison between two very unlike things, whose dissimilarity is very obvious. While comparisons compare unlike things, a conceit is a special type of comparison because the two things compared are so unalike that it gives us pause.
Creating an elegantly wrought literary conceit, Wilks pairs unlike texts and atypical writers for the disorder and creativity this binding brings, a methodology of what she calls "literary disorder" (25). The term conceit is closely related to the term extended metaphor. In fact, today the two terms are often used interchangeably, and that usage is not incorrect. At the same time, conceit also has an additional more technical meaning, and so, sometimes, conceit will mean something slightly different from the meaning of extended metaphor.